Cinema Advertising - Canada

  • Canada
  • Ad spending in the Cinema Advertising market is projected to reach US$72.82m in 2024.
  • Ad spending is expected to show an annual growth rate (CAGR 2024-2029) of 8.52%, resulting in a projected market volume of US$109.60m by 2029.
  • With a projected market volume of US$952.00m in 2024, most revenue will be generated in the United States.
  • In the Cinema Advertising market, the number of viewers is expected to amount to 23.3m users by 2029.
  • The average ad spending per viewer in the Cinema Advertising market is projected to amount to US$3.96 in 2024.

Key regions: China, United States, Germany, South Korea, France

 
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Analyst Opinion

The Cinema Advertising market in Canada has been experiencing steady growth in recent years, driven by several key factors.

Customer preferences:
One of the main reasons for the development of the Cinema Advertising market in Canada is the changing preferences of customers. Traditional forms of advertising, such as television and print, have become less effective as consumers increasingly turn to streaming services and digital platforms for entertainment. As a result, advertisers are seeking new ways to reach their target audience, and cinema advertising has emerged as an attractive option.

Trends in the market:
One trend that has contributed to the growth of cinema advertising in Canada is the increasing popularity of movies among Canadians. Canada has a strong film industry, and Canadians have a high affinity for movies. This has led to a growing number of people visiting cinemas, providing advertisers with a larger audience to target. Additionally, the rise of blockbuster movies and the anticipation surrounding their release have created opportunities for advertisers to leverage the excitement and engage with consumers in a unique and memorable way. Another trend driving the growth of cinema advertising in Canada is the advancement of technology. Digital cinema advertising, which allows for dynamic and interactive advertising content, has become more prevalent. This technology enables advertisers to create immersive experiences and engage with audiences in a more impactful way. Furthermore, advancements in data analytics have made it easier for advertisers to target specific demographics and measure the effectiveness of their campaigns, making cinema advertising a more attractive option for marketers.

Local special circumstances:
Canada has a unique cultural and linguistic landscape, with both English and French-speaking populations. This presents an opportunity for advertisers to tailor their cinema advertising campaigns to specific regions and demographics, ensuring that their messages resonate with the local audience. Additionally, Canada has a diverse population, with various ethnic communities, which provides advertisers with the opportunity to create targeted campaigns that cater to specific cultural preferences.

Underlying macroeconomic factors:
The overall economic stability in Canada has also contributed to the development of the cinema advertising market. A strong economy and high consumer spending power have created a favorable environment for advertisers to invest in cinema advertising. Additionally, the Canadian government has implemented policies to support the film industry, providing incentives for filmmakers and advertisers to produce content and invest in cinema advertising. In conclusion, the Cinema Advertising market in Canada is developing due to changing customer preferences, trends in the market, local special circumstances, and underlying macroeconomic factors. As consumers shift their entertainment preferences and technology advances, cinema advertising provides a unique and impactful way for advertisers to engage with their target audience. With the support of a strong film industry and a stable economy, the future looks promising for the growth of cinema advertising in Canada.

Methodology

Data coverage:

The data encompasses B2B enterprises. Figures are based on the Cinema Advertising spending and exclude agency commissions, rebates, production costs, and taxes. The market covers advertising both on and off screen in cinemas, including ads shown before a movie and those displayed inside a cinema.

Modeling approach / market size:

Market size is determined by a combined top-down and bottom-up approach. We use annual financial reports of the market-leading companies and industry associations, third-party reports, and survey results from our primary research (e.g., Consumer Insights) to analyze the markets.as well as performance factors (e.g., user penetration, price per product, usage) to analyze the markets. To estimate the market size for each country individually, we use relevant key market indicators and data from country-specific industry associations, such as various macroeconomic indicators, historical developments, current trends, reported performance indicators of key market players as well as performance factors (e.g., user penetration and usage) to analyze the markets.

Forecasts:

We apply a variety of forecasting techniques, depending on the behavior of the relevant market. For instance, the S-curve function and exponential trend smoothing are well suited for forecasting digital products and services due to the non-linear growth of technology adoption. The main drivers are GDP per capita, consumer spending per capita, and 4G coverage.

Additional notes:

The data is modeled using current exchange rates. The impact of the COVID-19 pandemic and the Russia-Ukraine war are considered at a country-specific level. The market is updated twice a year. In some cases, the data is updated on an ad hoc basis (e.g., when new, relevant data has been released or significant changes within the market have an impact on the projected development). Consumer Insights data is reweighted for representativeness.

Overview

  • Revenue
  • Analyst Opinion
  • Users
  • Global Comparison
  • Methodology
  • Key Market Indicators
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