Cinema - Poland

  • Poland
  • Revenue in the Cinema market is projected to reach US$565.60m in 2024.
  • Revenue is expected to show an annual growth rate (CAGR 2024-2029) of 3.43%, resulting in a projected market volume of US$669.40m by 2029.
  • In the Cinema market, the number of viewers is expected to amount to 14.3m users by 2029.
  • User penetration will be 32.5% in 2024 and is expected to hit 36.9% by 2029.
  • The average revenue per viewer is expected to amount to US$43.25.
  • In global comparison, most revenue will be generated in the United States (US$21,990.00m in 2024).

Key regions: Asia, Japan, India, France, South Korea

 
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Analyst Opinion

The Cinema market in Poland has been experiencing significant growth in recent years, driven by changing customer preferences, emerging trends, and local special circumstances. Customer preferences in the Cinema market in Poland have shifted towards a more immersive and experiential movie-watching experience.

Customers are increasingly seeking out cinemas that offer state-of-the-art technology, such as high-definition screens, surround sound systems, and comfortable seating. This preference for a premium movie-watching experience has led to the rise of luxury cinemas and the renovation of existing theaters to meet these demands. Additionally, there is a growing interest in alternative content, such as live broadcasts of theater performances and sporting events, which has further contributed to the expansion of the Cinema market in Poland.

One of the key trends in the Cinema market in Poland is the increasing popularity of local films. Polish cinema has gained recognition both domestically and internationally, with a number of critically acclaimed films and talented filmmakers emerging in recent years. This has led to a surge in demand for Polish films among local audiences, resulting in increased investment in the production and distribution of domestic movies.

Furthermore, the availability of streaming platforms and video-on-demand services has made it easier for Polish films to reach a wider audience, both within the country and abroad. Another trend in the Cinema market in Poland is the growing importance of digitalization. The adoption of digital technology has revolutionized the industry, enabling cinemas to offer a wider range of content and improve the overall movie-watching experience.

Digital projectors have replaced traditional film projectors, allowing for higher quality screenings and the ability to show 3D and IMAX films. Additionally, online ticket booking platforms and mobile applications have made it more convenient for customers to purchase tickets and plan their cinema visits. These digital advancements have not only enhanced the customer experience but also streamlined operations for cinema operators.

Local special circumstances, such as government support and cultural initiatives, have also played a role in the development of the Cinema market in Poland. The Polish government has implemented various policies and incentives to promote the local film industry, including tax credits and grants for film production. This support has encouraged investment in the sector and contributed to the growth of the market.

Additionally, cultural events and film festivals, such as the Warsaw Film Festival and the Polish Film Festival, have helped to raise awareness and generate interest in Polish cinema, both domestically and internationally. Underlying macroeconomic factors, such as rising disposable incomes and a growing middle class, have also contributed to the development of the Cinema market in Poland. As the economy has improved, more people have the financial means to spend on leisure activities, including going to the cinema.

The increasing affluence of the population has created a larger customer base for the industry, driving demand for cinema tickets and related services. In conclusion, the Cinema market in Poland is experiencing growth due to changing customer preferences, emerging trends, local special circumstances, and underlying macroeconomic factors. The demand for a premium movie-watching experience, the popularity of local films, the adoption of digital technology, government support, and rising disposable incomes have all contributed to the development of the market.

Methodology

Data coverage:

The data encompasses B2C enterprises. Figures are based on the Cinema market, which comprises revenues from box office, advertsing and concessions. The market includes both consumer and advertising spending. All monetary figures refer to consumer spending on tickets and concessions. This spending factors in discounts, margins, and taxes.

Modeling approach / market size:

The market size is determined through a bottom-up approach. We use annual financial reports of the market-leading companies and industry associations, third-party studies and reports, survey results from our primary research (e.g., Consumer Insights), as well as performance factors (e.g., user penetration, price per product, usage) to analyze the markets. To estimate the market size for each country individually, we use relevant key market indicators and data from country-specific industry associations, such as various macroeconomic indicators, historical developments, current trends, and reported performance indicators of key market players. In particular, we consider average prices and annual purchase frequencies.

Forecasts:

We apply a variety of forecasting techniques, depending on the behavior of the relevant market. For instance, the S-curve function and exponential trend smoothing are well suited for forecasting digital products and services due to the non-linear growth of technology adoption. The main drivers are GDP per capita, consumer spending per capita, and 4G coverage.

Additional notes:

The data is modeled using current exchange rates. The market is updated twice a year in case market dynamics change. The impact of the COVID-19 pandemic is considered at a country-specific level. The data is modeled using current exchange rates. The impact of the COVID-19 pandemic and the Russia-Ukraine war are considered at a country-specific level. The market is updated twice a year. In some cases, the data is updated on an ad hoc basis (e.g., when new, relevant data has been released or significant changes within the market have an impact on the projected development). Consumer Insights data is reweighted for representativeness.

Overview

  • Revenue
  • Analyst Opinion
  • Users
  • Global Comparison
  • Methodology
  • Key Market Indicators
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