Digital Music - Israel

  • Israel
  • Revenue in the Digital Music market is projected to reach US$69.53m in 2024.
  • Revenue is expected to show an annual growth rate (CAGR 2024-2029) of 6.15%, resulting in a projected market volume of US$93.72m by 2029.
  • The largest market is Music Streaming with a market volume of US$54.92m in 2024.
  • In global comparison, most revenue will be generated in the United States (US$19,080.00m in 2024).
  • In the Digital Music market, the number of users is expected to amount to 4.4m users by 2029.
  • User penetration will be 44.3% in 2024 and is expected to hit 43.9% by 2029.

Key regions: Germany, China, India, United States, Europe

 
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Analyst Opinion

Israel, a small country in the Middle East, has witnessed significant growth in its digital music market in recent years. Customer preferences, trends in the market, local special circumstances, and underlying macroeconomic factors have all contributed to this development.

Customer preferences in Israel have shifted towards digital music consumption due to the convenience and accessibility it offers. With the rise of smartphones and high-speed internet connections, consumers are increasingly opting for streaming services and digital downloads over traditional physical formats. This preference for digital music is not unique to Israel but is a global trend that has been fueled by advancements in technology.

One of the key trends in the Israeli digital music market is the dominance of international streaming platforms. Global players like Spotify and Apple Music have gained a significant foothold in the country, offering a vast catalog of music and personalized recommendations to Israeli consumers. These platforms have been successful in attracting a large user base by providing a seamless and user-friendly experience.

Additionally, the availability of Israeli music on these platforms has further contributed to their popularity. Another trend in the Israeli digital music market is the growing popularity of local streaming platforms. While international platforms dominate the market, local players have emerged to cater to the specific needs and preferences of Israeli consumers.

These platforms often focus on promoting local artists and offer a curated selection of Israeli music. This trend reflects the importance of local content in the Israeli market and the desire of consumers to support local talent. Local special circumstances have also played a role in the development of the digital music market in Israel.

The country has a vibrant music scene, with a diverse range of genres and artists. Israeli consumers have a strong affinity for music and are known for their passion for live performances. This cultural context has created a fertile ground for the growth of the digital music market, as consumers seek to explore and discover new music through digital platforms.

Underlying macroeconomic factors have also contributed to the development of the digital music market in Israel. The country has a strong economy and a high level of internet penetration, providing a favorable environment for digital music consumption. Additionally, the relatively small size of the Israeli market has made it attractive for international streaming platforms to enter and compete.

In conclusion, the digital music market in Israel has experienced significant growth due to customer preferences, trends in the market, local special circumstances, and underlying macroeconomic factors. The shift towards digital music consumption, the dominance of international streaming platforms, the rise of local streaming platforms, the vibrant music scene, and the favorable macroeconomic environment have all contributed to the development of the market. As technology continues to advance and consumer preferences evolve, the digital music market in Israel is expected to further expand in the coming years.

Methodology

Data coverage:

The data encompasses B2C enterprises. Figures are based on the Music, Radio & Podcasts market, which comprises all revenues generated by traditional and digital radio advertising, consumer purchases of live music event tickets, all sales of tangible audio recording formats, paid digital downloads of professionally produced single tracks / compilations, ad-supported services, and subscription-based, on-demand streaming services. All monetary figures refer to consumer spending on digital goods or subscriptions in the respective market. This spending factors in discounts, margins, and taxes.

Modeling approach / market size:

The market size is determined through a bottom-up approach. We use annual financial reports of the market-leading companies and industry associations, third-party studies and reports, survey results from our primary research (e.g., Consumer Insights), as well as performance factors (e.g., user penetration, price per product, usage) to analyze the markets. To estimate the market size for each country individually, we use relevant key market indicators and data from country-specific industry associations, such as various macroeconomic indicators, historical developments, current trends, and reported performance indicators of key market players. In particular, we consider average prices and annual purchase frequencies.

Forecasts:

We apply a variety of forecasting techniques, depending on the behavior of the relevant market. For instance, the S-curve function and exponential trend smoothing are well suited for forecasting digital products and services due to the non-linear growth of technology adoption. The main drivers are GDP per capita, consumer spending per capita, and 4G coverage.

Additional notes:

The data is modeled using current exchange rates. The market is updated twice a year in case market dynamics change. The impact of the COVID-19 pandemic is considered at a country-specific level. The data is modeled using current exchange rates. The impact of the COVID-19 pandemic and the Russia-Ukraine war are considered at a country-specific level. The market is updated twice a year. In some cases, the data is updated on an ad hoc basis (e.g., when new, relevant data has been released or significant changes within the market have an impact on the projected development). Consumer Insights data is reweighted for representativeness.

Overview

  • Revenue
  • Analyst Opinion
  • Market Shares
  • Users
  • Demographics
  • Media Usage
  • Global Comparison
  • Key Players
  • Methodology
  • Key Market Indicators
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